71-89, Sydney, 1984, 73 (colour illus). Barry Pearce, Australian art: in the Art Gallery of New South Wales, 'Landscape and gesture', pg. This article appeared in 'The Good Weekend' pages in a section sub-titled 'The Arts'. Signed and dated l.l. In 1976 he won both the Archibald Prize for portraiture and the Sulman Prize for genre painting and, the following year, the Wynne Prize for landscape. Brett Whiteley - portrait 1 1975 Greg Weight. 34, Sydney, 17 Jun 1992, 34. unknown author., The Sydney Morning Herald, 'Mirror image a winner for artist Whiteley', Sydney, 22 Jan 1977, (illus.). Martin Terry, Masterpieces of Australian Painting, 'Brett Whiteley b.Sydney 1939', pg. All rights reserved. The Balcony 2 Brett Whiteley 1975. . Birds and heroes people Brett Whiteley's art. Alec George, Look, 'Whiteley's 'inner paddock', pg. Brett Whiteley is photographed by Robert Walker at. Do you feel you are watching the subject or is the subject watching you? 86. 6-7, Melbourne . Brett Whiteley 1975 'The balcony 2' is one of his most evocative harbour paintings, encapsulating key elements of Whiteley's art - fluent draughtsmanship, an erotically charged curvilinear line and an ability to invest minimal brushstrokes with multiple associations. Michaela Boland., The Weekend Australian, 'Whiteley's ex-wife ready to fight forgeries', Canberra, 06 Nov 2010-07 Nov 2010, (colour illus.). Self portrait in the studio 1976 Like many other ), 21. Andrew Sayers, Australian art, 'Icon and abstraction 1951-68', pg. Photograph of Brett Whiteley also appears with this article. Brett Whitely (7 April 1939 - 15 June 1992) Look closely at the work and find the signs and symbols Whiteley uses to represent himself as an artist. unknown author., The Courier Mail, 'He won Archibald and Sulman in top art coup', Bowen Hills, 22 Jan 1977, (illus.). However, this painting also hints at a darker side, as Wendy Whiteley explained in 1995: he was warning himself and other people watching. This is a repeated advertisement for an art book titled `Brett Whiteley' by Sandra McGrath. He began the 1970s with gentle pictures of birds, moving on to massive portraits of the poets Verlaine and Rimbaud before taking two years to paint the gigantic Alchemy 197273. This website comprises and contains copyrighted materials and works. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present. BRETT WHITELEY : SCREEN AS THE BATHROOM WINDOW. Mervyn Horton (Editor), Art and Australia [vol. Brett Whiteley is one of Australia's most celebrated artists. Sandra McGrath., The Australian, 'A prize collection', Sydney, 27 Oct 1978, (illus.). Brett Whiteley was born in Sydney on 7 April 1939. A photograph of Alan Lloyd, head of conservation at the Art Gallery of NSW, examining a detail of Whiteley's painting also accompanies this article. His self-portrait was a bold, almost grotesque confessional. Barry Pearce, Head Curator of Australian Art, Art Gallery of New South Wales said: 'this is an opportunity to bring together a selection of works influenced by, or in tune with, a special Asian aesthetic that began to infiltrate Australian visual culture during the 1960s, in particular the brushwork of Chinese and Japanese calligraphy. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified. [17], On 15 June 1992, aged 53, he was found dead from opiate overdose in a motel room in Thirroul, north of Wollongong. 28-29, Sydney, Mar 2012, 28, 29 (illus.). Nancy Borlase., The Sydney Morning Herald, 'Whiteley's year', Sydney, 27 Jan 1977, (illus.). Ashleigh Wilson, author of Whiteley's biography, is a consultant on the work. Were not looking at a would-be genius or a sinful penitent. (1974) The balcony 2 (1975) and Interior with time past (1976 . 22.). 'The balcony 2' is one of his most evocative harbour paintings, encapsulating key elements of Whiteley's art fluent draughtsmanship, an erotically charged curvilinear line and an ability to invest minimal brushstrokes with multiple associations. Bruce James, Art Gallery of New South Wales handbook, 'Australian Collection: Painting and Sculpture', pg. Kristin Williamson., The national times: Australia's national weekly of business and affairs., 'Brett Whiteley - Portrait of a Genius', Sydney, 25 May 1980-31 May 1980, 28-32 (illus.). The Version table provides details related to the release that this issue/RFE will be addressed. gelatin silver photograph on paper (sheet: 50.4 cm x 40.4 cm, image: 45.2 cm x 30.8 cm) Brett Whiteley AO (1939-1992), artist, displayed a brilliant talent for drawing as a Sydney schoolboy. We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands. Find more prominent pieces of self-portrait at Wikiart.org - best visual art database. Christine Bates, Making art connections: Visual arts years 7 & 8, 'Lets make an artwork: Staying in/going out', pg. Michael Bowden, Art-isan: studio arts for VCE units 1-4, 'Analysis of an unseen artwork', pg. His rock-star status and his popularity in secondary school art rooms may have eroded his street cred in the art world, but Lou Klepac's book Brett . His first Archibald award, Self portrait in the studio, in deep bluish tones, shows an image of his studio at Lavender Bay overlooking Sydney Harbour, with his own reflection in a mirror shown at the bottom of the picture; a view of Sydney Harbour on the left establishes the location of the picture. Brett Whiteley's 'Self portrait in the studio' exudes a sense of sumptuous living and the liquid presence of the harbour through what he called the ecstasy-like effect of ultramarine blue. (This same article appears in 'The Daily Telegraph Mirror', 20 June, 1992. Max Prisk (Editor), The Sydney Morning Herald, 'The crucial art of living dangerously', Sydney, 17 Jun 1992, 17 (illus.). The work is an anthology of Whiteley motifs, including the view of Sydney Harbour from a window, a reclining nude, an armchair, and a piece of blue-and-white china. He was the youngest living artist to have work purchased by the Tate, a record that still stands. signed lower right: BRETT WHITELEY, [1] Wilson, Ashleigh, Brett Whiteley: Art, Life and the Other Thing, Text Publlishing, Melbourne, 2016, p.272, [2] Berg, Charles, The Unconscious Significance of Hair, George Allen & Unwin, London, 1951, [3] Whiteley, Brett, quoted in Sandra McGrath, Brett Whiteley, Bay Books, Sydney, 1979, p.219, [4] Kandinsky, Wassily, On the Spiritual in Art, 1910 (mutiple editions). A foundational moment in Whiteleys journey occurred while he was boarding at Scots College in Bathurst, New South Wales, when, one Sunday, he found a book on Van Gogh at St Stephens Presbyterian Church: I picked the book up and studied it it completely changed my way of seeing. Fields marked with an asterisk (*) are required. [1] He held many exhibitions, and lived and painted in Australia as well as Italy, England, Fiji and the United States. This article was edited by Sally White. ), 81. List of works . Gregory Weight/Copyright Agency, 2022, Greg Weight Barbara Konkolowicz, Look, 'Big Blue Sydney Harbour Through The Eyes of Artists', pg. The Australian artist is often celebrated for his painting but all his works had drawing at their core. ), 198, 209 (illus.). (1975), both from the collection of the Art Gallery of NSW. It has primarily black on one side and has an image of his wife Wendy in a bathtub, seen from behind. Deborah Edwards, Two centuries of Australian painting: a selection from the Art Gallery of New South Wales, 'Introduction', pg. Drugs and . Why did that particular work gain your attention? Photo David Christian, Brett Whiteley, 'Self portrait at 16', 1955, Brett Whiteley Studio Collection Wendy Whiteley, Brett Whiteley, 'Self portrait in the studio', 1976, Art Gallery of New South Wales. Jill Sykes, Look, Barry Pearces next book-call it segueing with intent, pg. That year he won the trifecta, being awarded all three prizes including the Wynne and Sulman. 5, Sydney, 07 Jul 1992, 5. Brett Whiteley with Self Portrait in Studio 1976. In 1991 he was awarded an Order of Australia. Whiteley travelled extensively throughout Asia, including India in 1965, and Japan in the last years of his life, experiencing at first hand the sources of his inspiration. 176-181, Sydney, 1984, 176, 177 (colour illus.). Richard Cotter, Change and continuity; 20th Century Australian History, South Yarra, 1998, 177 (colour illus.). The painting which was finally produced was made of a fantastic array of elements, including collage, photography and even flashing lights, with a total length of nearly 22 metres. Closed Good Friday & Christmas day As it turned out, he could be neither scared nor shamed into giving up heroin. It was his comment on the direction the world might be headed and his response to a seemingly pointless war which could end in a nuclear holocaust. But at his best, Whiteley was brilliant and a major achievement of the film is that it focuses on this aspect of his art. This appeared in the `Arts' section of `The Australian Supplement'. His wife Wendy appears as "Delish". [citation needed], In 1967 Whiteley won a Harkness Fellowship Scholarship to study and work in New York. We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands. He . Joseph Brown Gallery, Melbourne, 1977. 1975: Kevin Connor - The Hon Sir Frank Kitto, KBE; 1976: Brett Whiteley - Self Portrait in the Studio; 1977: Kevin Connor - Robert Klippel; 1978: Brett Whiteley - Art, Life and the other thing; 1979: Wes Walters - Portrait of Phillip Adams; 1980: No award; 1981: Eric Smith - Rudy Komon; 30-35, London, 2013, 31 (colour illus.). He painted a view of his friend Patrick White as a rock or a headland in Headland; White had told Whiteley that in the next life he would like to come back as a rock. 2023 John McDonald. Free entry, Find out what you need to know before visiting. Ewen McDonald, AGNSW Collections, 'From Colonialism to late Modernism', pg. High quality Art Print. For further information please contact NPG Copyright. Back in Sydney at the end of 1969, Whiteley moved to Lavender Bay and became involved in the Yellow House artists collective in Kings Cross. Whiteley used the occasion to open discussions about Asia during a period in which Australian prime minister Gough Whitlam and American president Richard Nixon were establishing new relationships with the Peoples Republic of China. 15-41, London, 1995, 35-36, 145 (colour illus. See opening hours Brett Whiteley was never shy when it came to measuring himself against the masters. 17, Melbourne, Feb 2001, 17 (colour illus.). He soon settled in Lavender Bay. Brett Whiteley. Telephone (02) 9225 1734 or 0414 437 588. Similar to Brett Whiteley's other major paintings of this period, 'Self-portrait in the studio' exudes a sense of sumptuous living and the liquid presence of the harbour through what he called 'the ecstasy-like effect of Ultramarine blue'. David Freeman will direct and Tahu Matheson will conduct. ), 16 (colour illus.). 44-45, Sydney, Jun 2012, 45 (colour illus.). from The New York Times: In little more than two years Whiteley had moved from a languorous vision of the studio to a sensational, confessional self-portrait set against a pale, terracotta ground. Warning: Smoking has been linked to some of the most powerful images of the twentieth century an MPRG exhibition. Free entry, Find out what you need to know before visiting, Thirty-six looks at four sights on three themes: recent paintings, drawings and carvings, Two centuries of Australian painting, a selection from the Art Gallery of New South Wales, Australian icons: twenty artists from the collection, Affinities: Brett Whiteley & Lloyd Rees (2001). 15 Jun 1992. His work became highly desired by collectors, especially his large-scale, brilliantly-coloured interiors and landscapes strongly influenced by French artist Henri Matisse such as Big orange sunset 1974 and Self portrait in the studio 1976. Margaret Clarke (Director), Red, black and Whiteley, North Ryde, 2000, 00:00.43 for 3 seconds (colour, detail). The Conceptual Frame Work- Brett Whiteley 'Self Portrait in the studio' 1039 Words; 3 Pages; The Conceptual Frame Work- Brett Whiteley 'Self Portrait in the studio' The symbols:He has used a variety of line, round and curvy in some areas but straight in others. The Brett Whiteley Studio (Editor), Big blue: the painted harbour (list of works), Sydney, 1997. It was first publicly exhibited at the Bonython Art Gallery in Paddington, Sydney in February 1972 as part of an exhibition titled Portraits and other emergencies. The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. He won all three prizes in 1978 (the first artist to do so) and the Wynne a third time in 1984. As he said: "To draw animals, one has to work at white heat because they move so much, and partly because it is sometimes painful to feel what one guesses the animal 'feels' from inside." Gift of Patrick Corrigan AM 2004. Brett Whiteley Self Portrait In The Studio Framed Print . 1 whit.jpg. [3] Throughout 1956 to 1959 at the National Art School in East Sydney, Whiteley attended drawing classes. [4], In June 1991, Whiteley was appointed an Officer of the Order of Australia. The Brett Whiteley Studio (Editor), Big blue: the painted harbour (list of works), Sydney, 1997. 13: Brett Whiteley 'Self portrait in the studio' 1976. He then turned to series of paintings of waves, interiors, the harbour, and coastal landscapes. In 1989, he and Wendy, whom he had always credited as his 'muse', divorced. Whiteley became active in the great peace movements of the 1960s, with the protests against America's involvement in the war in Vietnam. Elwyn Lynn., The Australian, 'A life of eternal struggle'; 'Golden boy's genius worthy of adulation', Sydney, 17 Jun 1992, 1, 16 (illus.). Sandra McGrath, Brett Whiteley, 'Lavender Bay: Optical Ecstasy', pg. He also painted the darling harbour and the opera because he lived in sydney. Shop with Afterpay on eligible items. Whiteleys art was intimately connected to his tumultuous, creative life. [18], In 1999, Whiteley's painting The Jacaranda tree (1977), which had won the Wynne Prize, sold for A$1,982,000,[19] a record for a modern Australian painter at that time. He makes no attempt to hide the fact that he is somewhere else He was trying silently to say, stay away, this is not what it might seem. Reading from left to right, it begins with an exploding sun from a portrait of Yukio Mishima that Whiteley had started but never completed. Look at this beautiful house and wonderful pictures and things. During this time, Whiteley also painted works based on the animals at the London Zoo, such as Two Indonesian giraffes, which he found sometimes difficult. Walsh also appears in the . Brett Whiteley Studio Collection. Free delivery and returns on eBay Plus items for Plus members. Richard Coleman., The Sydney Morning Herald, 'Doctor's theory may help self portraits', Sydney, 03 Apr 1981, (illus.). He also spent time in the USA staying at New Yorks Chelsea Hotel, where he associated with counter-culture celebrities such as musicians Janis Joplin and Bob Dylan and in Fiji. unknown author., Sun news-pictorial, 'Brett wins art double', Melbourne, 22 Jan 1977, (illus.). Brush and ink on brown paper 80.5 x 53.5cm. 'Self Portrait in Studio' was created in 1976 by Brett Whiteley in Fauvism style. 30.5 x 25.5 cm Clem Lloyd and Peter Sekuless, Australia's national collections, Sydney, 1980, 261 (colour illus.). ", Whiteley became increasingly dependent on alcohol and also became addicted to heroin. Explore the tradition of interior and still life painting by examining the work of Johannes Vermeer, Henri Matisse, Vincent van Gogh, Giorgio Morandi and Margret Preston. This article is accompanied by a photograph of John Olsen looking at a section of Whiteley's prize-winning painting. He painted Patrick White while the author was working on his autobiography, Flaws in the Glass in 197980; thus two great portraits of White, painted and written, developed together. Brett Whiteley painting - alchemy 1972-1973 Art Print. Open daily How would the space be divided and what objects of inspiration would be around you? Its not the dark, edgy image of a celebrity, but the portrait of an artist. Brett Whiteley was Born on the 7 th of April 1939 at Paddington Sydney. Born: Longueville, Sydney, New South Wales, Australia 07 Apr 1939, Died: Thirroul, Wollongong, New South Wales, Australia 15 Jun 1992, Brett Whiteley in North Sydney house, date unknown, by Robert Walker Estate of Robert Walker. The scholarship enabled Whiteley to travel to Europe and experience first-hand much of the art he had only seen in reproduction. Laurie Hergenhan (Editor), The Australian Short Story: A Collection 1890s - 1990s, St. Lucia, 1986, cover page (colour illus.). This article appeared in 'The Arts' section, and Dr. Keeney discusses problems artists have when painting their own hands. He had many shows in his career, and lived and painted extensively in Italy, England, Fiji and the United States. How can you use colour, texture, symbols and other elements to give viewers an insight into how you are feeling? 1978 was the only year in which all three prizes have been won simultaneously by the same person. [24] The paperback, featuring a new cover, was released in 2017. 19-22, Sydney, 20 Jun 1992, 19-21 (illus.). He painted abstracted images of bush scenes such as The bush (1966)[13] and also images which resulted from experimentation with various drugs, such as alcohol in the humorous Self portrait after three bottles of wine (1971).[14]. Jennifer Phipps, Members Magazine of the National Gallery Society of Victoria, 'Brett Whiteley Self Portrait and Other Intimacies', pg. 40, No. This articles includes an anecdote by Stuart Purves, Australian art dealer, of Whiteley and his Archibald prize winning painting. Apart from the mirror portrait, this was clearly inspired by Matisse's Red Studio, with the colour transformed to Whiteley's favourite ultramarine blue. No other Australian artist had such a wild, woolly set of curls. AU $100.00. 9. Melissa Phegan., Daily telegraph mirror, 'The passion and pain of Brett Whiteley', Sydney, 21 Jul 1992, (illus.). Barry Pearce, Brett Whiteley Art & Life, 'Persona and the Painter', pg. At 16 we are all misunderstood and ready to identify with Van Gogh, but few teenagers could have created such an accomplished homage. This article is associated with "Melba". 12, Sydney, Oct 2006, 12 (colour illus.). from The New York Times: Clinton had borrowed from his proposals to make public colleges free. This article appears in 'The Australian Magazine' a liftout of 'The Australian' newspaper. He won the international prize at the second Paris Biennale for Young Artists in 1961, and married his lovely muse, Wendy Julius, the following year. morning, Available for everyone, funded by readers. 13, no. Art Gallery of NSW. card no. The quality which unites them is a fluid energy of the brush, extending through the media of ink, watercolour and oil paint, reflecting a lyrical response to the calligraphic style. We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands. The artist's face reflected in a tiny mirror suggests the influence of Eastern art in the portrayal of man as merely a small part of a much larger . Lou Klepac, Brett Whiteley Drawings (2013). gelatin silver photograph on paper (sheet: 50.4 cm x 40.4 cm, image: 45.2 cm x 30.8 cm) Brett Whiteley AO (1939-1992), artist, displayed a brilliant talent for drawing as a Sydney schoolboy. The illustration in this publication is a detail of this image. Brett Whiteley - Portrait 2, 1975. photographer: Greg Weight. Philip McIntosh. Works of art from the collection are reproduced as per the, Let me know when this portraits on display.